January 30th, 2009. "Surging down the stairs is a young male, he kicks the door open, and a gritty Toronto ode takes its course". Today marks the release of the video for T-West's "T-Dot State Of Mind". Being of influence to Nas' "New York State Of Mind", T-West shares his vision of Toronto through a vibrant display of story-telling, backed by Vibrant Royce Birth production, and Obie's memorizing vocals. The video was directed by: Sterling Pache (www.romanticchildstudios.com), & Koray Salih (www.koraysalih.com).
Friday, January 30, 2009
January 30th, 2009. "Surging down the stairs is a young male, he kicks the door open, and a gritty Toronto ode takes its course". Today marks the release of the video for T-West's "T-Dot State Of Mind". Being of influence to Nas' "New York State Of Mind", T-West shares his vision of Toronto through a vibrant display of story-telling, backed by Vibrant Royce Birth production, and Obie's memorizing vocals. The video was directed by: Sterling Pache (www.romanticchildstudios.com), & Koray Salih (www.koraysalih.com).
Tuesday, January 6, 2009
Hiphossip.com names Urbanology Magazine 2008 Music Magazine of the Year
culture and urban lifestyle in Canada. It's been over a year since I've been on board. The progress has been startling and the recognition inspiring.Just the other day, Canada's leading hip hop blog site - hiphossip.com gave out its first set of awards. 2008 Music Magazine of the Year went to - guess who? Urbanology Magazine.
From artist profiles to features on the biggest stars in the world to in depth, honest coverage of the issues that effect our lives, Urbanology is now a mainstay in urban culture.
URBANOLOGYMAG.COM
| Canadian Hip-Hop Community: Recapping 2008 | |
By: HipHopCanada [contact] | |
| Date: January 1st 2009 | |
Recording Artist / Actress Toronto, ON http://www.myspace.com/michiemeemedia |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? For me, getting back in the game on radio across Canada . . . lookout for the video! Recording in the US and Jamaica and not having to explain our love for music or direction as fans of hip-hop, refer to Kardinal's style and hook up with Akon . . . people were telling me about Canada . . . It's about time. Stay tuned! Your favourite Canadian hip-hop single of 2008? Tomasi’s single, Kardinal's, and Drake’s new single! |
DJ / Producer Vancouver, B.C. http://www.myspace.com/djkemo |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Kardinal breaking out in the US! Your favourite Canadian hip-hop single of 2008? "Dangerous" of course! VANGUARDS nigga! |
Recording Artist / Actor Toronto, ON http://www.myspace.com/thisisdrake |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? 2008 birthed a new generation of young talented artists . . . also K-Os inking a new deal. Your favourite Canadian hip-hop single of 2008? "Still Fly" by Page. |
Recording Artist Halifax, NS http://www.myspace.com/spesh_k |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Classified signing to Sony was huge for East coast artists. Your favourite Canadian hip-hop single of 2008? "Fades Away" by Saukrates. |
Recording Artist / Actor / Entrepreneur Toronto, ON http://www.myspace.com/bishopbrigante |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? That's a toss up between Lil' Wayne rapping Drake's lyrics at the award show and Drake recently signing to Interscope. Your favourite Canadian hip-hop single of 2008? The best single of the year was Page featuring Drake, "Still Fly". It didn't need to be the most lyrical record; it was just a dope ass club record that everyone loved. It was an undeniable hit. If Page had the same backing "Dangerous" had for "Still Fly", it would have shot through the roof! |
Recording Artist / Entrepreneur Toronto, ON http://www.kingofthedot.com |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Kid Twist winning the Scribble Jam prelims in Cincinnati and then making it to the Quarter Finals against TheSaurus. Your favourite Canadian hip-hop single of 2008? “We Lurkin’” by Mayhem Morearty and Gangis Khan AKA Camoflauge. |
Entrepreneur / Radio Host Halifax, NS http://www.myspace.com/ghettoblasterinc |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Witnessing and participating in the growth and continuation of Under Pressure 2008 (expansion of a Saturday segment; strong support and involvement as usual; and AG showed up and headlined . . . AG!). Your favourite Canadian hip-hop single of 2008? "Young Nation (Remix)" by Tru-Paz. |
Recording Artist / Songwriter / Lyricist Winnipeg, MB http://www.myspace.com/itsfenom |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? For me, it was Kardinal Offishall finally getting his due. He did for Canadian hip-hop artists what Obama did for black Americans, which was to prove that any thing is possible with hard work and dedication and that folks can say what they want to say, but in the end, YOU determine how far YOU go! Your favourite Canadian hip-hop single of 2008? My favorite Canadian hip-hop single was (and currently is) "Trouble" by Classified . . . I'm expecting my dude to touch the sky off his new release! Big up! |
Label Owner / Journalist Toronto, ON http://www.handsolorecords.com |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? For me, the defining moment was actually consistently numerous moments that ran throughout the year from hip-hop message board to hip-hop message board, and from hip-hop website to hip-hop website as ignorant Americans once again mocked, ridiculed and talked shit about Canadian hip-hop despite the fact that they have no idea what they're talking about. How this defines Canadian hip-hop in 2008 is that it continues to show how difficult it is for Canadian emcees to be taken seriously south of the border (and even sometimes in their own country). How disappointing. Your favourite Canadian hip-hop single of 2008? I'm going to have to go with D-Sisive's "Brian Wilson" just inching ahead of the Red Ants's "Keep Your Satellites Out of My Brain". |
Recording Artist Ottawa, ON http://www.myspace.com/dillinhoox |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Multiple Canadian artists getting recognition internationally. Progress is being made all around and it's only going to get bigger and better in '09. Your favourite Canadian hip-hop single of 2008? “Brother (Watching)” by Shad K, produced by AmiR. |
Journalist / Entrepreneur Toronto, ON http://www.HipHopCanada.com |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? The Stylus Awards weekend . . . Canada’s finest was outstanding! Your favourite Canadian hip-hop single of 2008? “Shorty Grindin’” by Bishop Brigante, JD Era and Drake, produced by Spinz! |
Recording Artist Vancouver, B.C. http://www.defendersmusic.ca |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? The most defining moment in '08 for me has to be November 11th . . . the day my album dropped on iTunes! Your favourite Canadian hip-hop single of 2008? My favourite Canadian single was "Dangerous" by Kardi . . . 'cause it was such a big record. |
Radio Host / Recording Artist Ottawa, ON http://www.hiphopcanada.com/thebrlshow |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Most defining moment would have been when I heard Dr. Dre on the remix of "Set It Off" from Kardinal. I knew Canada was on to something finally. Your favourite Canadian hip-hop single of 2008? Favourite Canadian single was Point Blank "TO 2 OT". |
CEO of Escape Entertainment Montreal, QC http://www.escapemtl.ca |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? I think my favourite moment for Canadian hip-hop is as simple as seeing all our home-grown talent stepping their games up big time. We are now marketing ourselves properly and really starting to get our Canadian talent exposed on an international level which is much deserved, and honestly, years past due. Your favourite Canadian hip-hop single of 2008? My favourite single of 2008 would have to be Luu Breeze’s “Break Em Off” from a Canadian perspective; he really stood out to me on that one and I think with a bigger budget that song would have taken off in the American market. And of course Magnum 357’s “Drop 4 Me” which is having so much success in Montreal and is helping bring local support back to a town who has lost the love for hip-hop. |
Halifax Rap Legend Ottawa, ON http://www.myspace.com/jessedangerously |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Maybe it's too obvious coming from me, but Buck 65's Dirtbike Trilogy - three albums created and released for free within two months . . . was one of the most inspiring events in hip-hop PERIOD for 2008, and by far the best thing Buck's done in the last decade in my opinion. Freed from major label constraints and concerns over samples and sufficient sales, his writing and production soared to heights only hinted at even on last year's excellent Situation. Your favourite Canadian hip-hop single of 2008? I don't remember 2008 being a really great year for singles from anywhere, let alone Canada. I guess Cadence Weapon's “Real Estate” or Wordburglar's “The Route”, but those aren't exactly new songs. Oh... D-Sisive had good shit but I'll be damned if I can remember a title! |
Producer / Host of OTA Live! (Flow 93.5 FM) Toronto, ON http://www.myspace.com/otalive |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? In Toronto, it would have to be the impact of Page’s “Still Fly” on the local club scene. With minimal commercial spins and promo it’s become arguably the biggest local club song in Toronto hip-hop history (Yes, I said it!). I’ve been a part of this city’s club scene for over 15 years and I have NEVER seen a local song get the type of forwards “Still Fly” is getting right now. It’s this generation’s “Bakardi Slang”, this generation’s “Backbone” but most importantly, it’s the first visible sign there’s not only a new era of local artists carrying the torch, but a new generation of local fans wholeheartedly embracing their city’s hip-hop movement. |
Artist / Entrepreneur Halifax, NS / Toronto, ON http://www.myspace.com/metropolisvotary |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? In my perspective, Kardinal Offishall signing with Akon was likely the most significant occurrence in Canadian hip-hop over the past year. I felt that it was important because it demonstrated Canadian hip-hop's ability to transcend borders in more ways than one. The fact that Akon had been a fan of Kardinal was interesting for me because Kardi is somebody who has openly rejected the restrictions placed on him by major labels. The Kill Bloodclot Bill mixtape really explored his feelings regarding this, as after his first album he discovered (as many people do) he was only receiving a small percentage of his album sales, and actually owed MCA Records money for the production which was offered to him. Though he has worked with many mainstream artists (even appearing on Wu-Tang’s Remix for Careful "click click") this was the first time I really was able to hear his music across borders. Visiting the USA and the Caribbean over the past year, I heard him featured on the radio a significant amount, and I think it is important for opening the door to more Canadian talent, and shows that it is possible without compromising ambitions, goals, style etc. This also is useful in showing the diversity of Canadian talent because sadly, outside of our country most people are unaware of the cultural mosaic Canadians live in. Your favourite Canadian hip-hop single of 2008? Well, if I have to choose one that I had nothing to do with, then I would probably say "Trouble" by Classified, because he is still an artist on the rise, but has been on the grind for at least the last 10 years. This is his newest single and pretty fresh but it’s hard to keep track of what’s new or not. Also, the video is pretty dope. |
Recording Artist / Producer / Director Calgary, AB http://www.myspace.com/olivehour |
| Your favourite Canadian hip-hop single of 2008? Hip-Hop in the Park (Edmonton) and Summer Fling (Saskatoon) . . . same shit, different city. All I remember about last summer is shot-gunning tons of beers with some of the dopest musicians in the world and then getting to watch them rap. Your favourite Canadian hip-hop single of 2008? "Dirty Space Alchemy" by Red Ants. |
Producer / Recording Artist Calgary, AB http://www.myspace.com/thedirtysample |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Shad being nominated for a Juno; finally an artist who deserves a nomination [but] unfortunately he lost. Your favourite Canadian hip-hop single of 2008? "Brian Wilson" by D-Sisive. Brian Wilson. Incredible track. |
Label Manager (KOCH Entertainment) Toronto, ON http://www.kochcan.com |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? I'd say international exposure via Kardi and Drake. They've helped show that Canada has something to offer on an international level. |
Recording Artist Toronto, ON http://www.myspace.com/tonamusic |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Kardinal’s performance on 106 & Park earlier this year. Your favourite Canadian hip-hop single of 2008? Saukrates - Fades Away Publish Post |
DJ / Radio Host (The Real Frequency, Flow 93.5 FM) Toronto, ON http://www.therealfrequency.com |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Kardinal’s record sales and the rise of Drake; Canadian hip-hop finally ran out of excuses. No one with international acclaim, no one can do it and still live and rep the city, no one can do it with "just hip-hop", no can have a successful single.... blah blah blah. Kardinal proved all those facts wrong. He does live in the city, and reps Toronto to the death. He does have international acclaim and respect, Kardinal’s single went platinum. But yet, in his own home town he only did a certain amount of sales which I will leave nameless. Nameless for the simple fact that, as a country we are getting closer to international success from true canadian talent . . . Kardinal and Drake definitely represent this. However, as a country, we still need to respond to what's going on in our own backyard. Drake has the buzz of the whole world watching him. But how long will it take for our country to respond the same way . . . Cali Snipes, Luu Breeze, Frankie Payne, Mayhem Morearty, Tona, Famous, Promise . . . the same way that ATL will responds to Gucci Mane, to me these artists are all at the same level buzz wise. The only difference is, they get major support from there own! Your favourite Canadian hip-hop single of 2008? “Reach” by Frankie Payne and “Still Fly” by Page featuring Drake. |
Recording Artist / Mystery / Journalist Montreal, QC http://www.myspace.com/euphrates |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? Without being self-indulgent, I think the most defining moment in my Canadian hip-hop experience was when Busta Rhymes called me and apologized for “Arab Money”. It showed me that an underground artist can use the internet to reach one of the greats. It also shows me how hip-hop can be used to educate/shed light on the misconceptions of religion, race, class and gender. Reinvigorated my belief in hip-hop. Your favourite Canadian hip-hop single of 2008? “All Fair” by Rugged Intellect featuring Kool G Rap. |
DJ (hunt.FM) / Producer / Engineer Vancouver, BC http://www.hunt.fm | http://www.passdamictv.com |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? What was your favourite Canadian hip-hop single of 2008? Question 1 and 2 go hand-in-hand with each other . . . it has to be Kardinal Offishall's smash hit of the summer, “Dangerous” accompanying the release of his latest album Not 4 Sale. The single absolutely BLEW UP! In Canada . . . in North America . . . and all over the world! It was a historic achievement for a Canadian hip-hop artist and ground-breaking for the Vancouver production crew behind the music, the Vanguards. Notable mentions go to the steady quality single and video releases from Shad . . . our introduction to the now ubiquitous Famous and a long-overdue record from veterans Defenders of the Faith (Checkmate and Concise). Also, Drake continues to make moves, but I think we have yet to hear his best. I'd say watch for him in '09! |
Freelance Writer / Critic (Exclaim! Magazine) Edmonton, AB http://www.assaultofknowledge.com |
| In your opinion, what was 2008's most defining moment for Canadian hip-hop? The comeback of D-Sisive, and his album The Book, which was my favourite of the year (not to mention the two singles also released). Your favourite Canadian hip-hop single of 2008? "The Old Prince Still Lives at Home" by Shad. |
Editor's note: Once again on behalf of everyone at HipHopCanada/HipHopCanada Digital, Happy New Year to you and your family!
| Tara Muldoon Tara Muldoon didn't realize others saw her passion as work. Starting at the historical Masterplan Show (89.5), she has been mentored by some of hip hop's most notorious players. Currently focused on her writing and publicity abilities, she was recently featured on the Tyra Banks Show for her music industry dreams. She is on HipHopCanada.com's management team. Hit her up at http://www.myspace.com/taramuldoon. |
Thursday, January 1, 2009

Bankrush and DJ IV Present: Solid Mas THE SHOW OFF MIXTAPE
Another one of Canada's hidden jewels hailing from Toronto, ON Solid Mas is an artist that understands the essence of hip hop and how living in Canada is a blessing.
For this being his first album it is surprisingly complete with a wide range of topics covered through 22 tracks. The album is full of energy and rawness it is easy to see that this Mc has big aspirations. Solid Mas projects can only improve with time. The album is also laced with solid production by some of Canada's best up 'N' comers as well as being a Mic bully this young Mc also produces his own records on the album like "Ridin Dirty" "Loose Change" "Legacy" and "Grapevine". Be sure to keep an eye on this multi talented artist as he is on his way to becoming another Canadian great.
Free Download
http://www.chartattack.com/news/64474/free-d-sisive-mixtape
If 1968 was the year Elvis Presley made his dramatic, history-making comeback, 2008 was the same for Toronto rapper D-Sisive.
The once-promising party rapper fell off the map a few years ago amidst personal turmoil and family heartbreak. When he re-emerged earlier this year, the feel-good hip-hop of his past was long gone and had been replaced by a more serious, stern and sophisticated brand of rapping that had more in common with the bleak worldview of Morrissey than the jams of the Fresh Prince.
It was also a very productive year for D-Sisive. He released the heart-wrenching The Book and the Like This Plus Three EP and issued the Nobody With A Notepad Plus Three EP just days ago.
In the meantime, as a special year-end gift to friends and curious music fans, D-Sisive got together with DJ Grouch and put together The Complete '08 Comeback Special mixtape. It will be available for free and exclusively through CHARTattack by clicking the above link as of New Year's Day.
DJ Grouch cuts and slices his way through all the tracks on The Book and the Like This EP on top of Muneshine's "Farewell," Angerville's "Dear Dad (Remix)" and D-Sisive exclusive tracks "Lucky Penny," "Don't Be" and "Wayne Knight."
"It's been a good year and it's been genuinely exciting to make music again," says D-Sisive about 2008. "I just hope some people enjoyed what I'm doing and will continue to pay attention in 2009."
D-Sisive's Let The Children Die LP is tentatively scheduled for release in February.
Tuesday, December 30, 2008
The Canada Council for the Arts provides support for the development of individuals, groups, small ensembles, orchestras and other professionals working in the Canadian music community. In addition to tours, concert production, sound recordings and festival programming, the Music Section funds a variety of related activities such as residencies and the commissioning of Canadian compositions.
- Alberta Creative Development Initiative: Grants to Organizations
- Alberta Creative Development Initiative: Grants to Individuals
- Grants to Professional Musicians (Individuals): Classical Music
- Grants to Professional Musicians (Individuals): Non-Classical Music
- Travel Grants to Professional Musicians (Individuals)
- Aboriginal Peoples Music Program
- Career Development Program: Project Grants to Artists
- Residencies for Composers and Conductors
- Commissioning of Canadian Compositions
- Grants for Specialized Music Sound Recording
- Grants for Specialized Music Distribution
Monday, December 29, 2008
Protect Your Music
SOCAN is a copyright collective representing more than 80,000 Canadian music creators and publishers and, through our affiliated performing rights organizations (PROs), hundreds of thousands more worldwide. These are the people who create the music that's such an important part of our lives.
If you use music as part of your business or functions, you know that music sells: ideas, services, goods, and a host of other products. Music entertains bar and dance club patrons, your employees, your customers and even people waiting on hold when they call your business on the telephone.
In order to use music as part of your business, you usually need a performing rights licence. SOCAN will grant such a licence, allowing you access to virtually the world's entire repertoire of copyright-protected music for communication and public performance, at rates approved by the Copyright Board of Canada. A SOCAN performing rights licence ensures that the music and the rights of those who create and publish it are respected.
Generally speaking, there are a few main categories of music user industries:
- Telecommunications (radio, television, cinema, internet)
- Hospitality (bars, restaurants, dance clubs, private clubs, hotels, karaoke clubs)
- Retail (stores, shopping malls)
- Recreation (game halls, fitness facilities, private clubs, sports arenas, bowling alleys, sports clubs)
- Concert (live bands or recorded music)
- Workplace (in offices, service establishments, on hold on the telephone)
If you use music in public, you may need to obtain a SOCAN licence and pay the appropriate tariff(s) as set by the Copyright Board.
Need Funding For Your Video?
A Foundation To Assist Canadian Talent, was created in 1984 concurrent with the launch of MuchMusic, which committed a percentage of its gross annual revenues to stimulate the production of new Canadian music videos. Two years later, when MusiquePlus went on the air, it also became a sponsor, as did MuchMoreMusic when it launched in 1998. The launch of MuchMoreMusic also marked the creation of PromoFACT, an Electronic Press Kit and website production fund for Canadian artists, independent record labels and artist management companies.
VideoFACT is funded entirely by MuchMusic, MuchMoreMusic and MusiquePlus. For VideoFACT's 2006-2007 fiscal year, the three stations will contribute more than $5.3 million to the foundation. To date, VideoFACT has allocated $43.9 million to more than 4,000 music video, website and EPK projects.
VideoFACT considers applications requesting co-financing for music videos, websites and EPKs (the latter through MuchMoreMusic's PromoFACT award program) six times a year. Applications are judged by a nine-person board of directors, and successful applicants receive non-recoupable awards of up to 50 percent of production costs to a maximum of $25,000 for music videos and a maximum of $3,500 for websites and EPKs.
Board Of Directors
The VideoFACT board of directors makes its awards based on the creative presentation and financial requirements. To apply for funding from VideoFACT or PromoFACT, please proceed to the Apply Online section or download the application forms available on this site as PDF files.
The Directors and Officers of VideoFACT are:
Bernie Finkelstein (Chairman) - Finkelstein Management
Jim Corcoran - Singer/Songwriter
TBD - MuchMusic
Farley Flex - Plasma Corporate
Patrick Binette – MusiquePlus
Allen Moy - Divine Industries
Sheila Sullivan - MuchMusic
Catherine MacLeod, CTVglobemedia - Secretary/Treasurer
J. Michael Mulholland - Auditor
Beverley McKee - Executive Director
LEARN MORE CLICK HERE
FACTOR, The Foundation Assisting Canadian Talent on Recordings, was founded in 1982 by CHUM Limited, Moffat Communications and Rogers Broadcasting Limited, in conjunction with the Canadian Independent Record Producers Association (CIRPA) and the Canadian Music Publishers Association (CMPA). Standard Broadcasting merged its Canadian Talent Library (CTL) development fund with FACTOR’s in 1985.
As a private non-profit organization, FACTOR is dedicated to providing assistance toward the growth and development of the Canadian independent recording industry. The foundation administers the voluntary contributions from sponsoring radio broadcasters as well as two components of the Department of Canadian Heritage’s Canada Music Fund to support the Canadian music industry. FACTOR has been managing federal funds since the inception of the Sound Recording Development Program in 1986 (now known as the Canada Music Fund Council).
Support is provided through various programs which all aid in the development of the industry. The funds assist Canadian recording artists and songwriters in having their material produced, their videos created and support for domestic and international touring and showcasing opportunities as well as providing support for Canadian record labels, distributors, recording studios, video production companies, producers, engineers, directors – all those facets of the infrastructure which must be in place in order for artists and Canadian labels to progress into the international arena.
FACTOR started out with an annual budget of $200,000 and is currently providing in excess of $14 million annually to support the Canadian music industry.
Canada has an abundance of talent competing nationally and internationally and FACTOR’s sponsors can be very proud that through their generous contributions they have made a difference in the careers of so many success stories.
LEARN MORE CLICK HERE
The Canadian Independant Record Production Association
The Canadian Music Marketplace
To foster a healthy and independent Canadian music scene, CIRPA continues to create and sustain opportunities in an ever-changing marketplace.
Marketing OpportunitiesCIRPA participates in national and regional industry events such as Toronto International Film Festival, the POLARIS Music Prize, Canadian Music Week, the Digital Music Summit and Pop Montreal. These events, which will showcase Canadian acts and reach out to international and national buyers, will be important parts of the domestic marketing calendar.
CIRPA is always on the lookout for new ways for our members to improve their business prospects and practices. We organize educational information sessions with experienced professionals from different fields. These are "not to missed sessions" for any of our members and their staff.
Copyright and RevenuesCopyright, licensing and royalty issues continue to be important as we move into the next wave of digital licensing both in Canada and abroad. The establishment of the IDLA in Canada and Merlin in the UK were important steps in creating independent licensing bodies for digital and other product. CIRPA has been involved as a facilitator in both projects.
Our foremost issue is the private copying levy with respect to DAR devices. While we agree that the levy cannot be used as a “shelter” for unauthorized P2P downloading, we do not agree with our friends at CRIA that it should be done away with as a result.
The financial stakes may be small for the major labels, but are substantial in the case of the independents. We will continue to work with CRIA to arrive at a compromise which may see them back off their position, but barring that, will maintain that the CPCC has the right to include DAR’s as part of the levy.
Cultural Industry PartnershipsCIRPA will also work diligently to maintain and develop strong relationships with our colleagues in other agencies and associations.
We’ve formed a working group of the CEO’s and ED’s of the MMF, CMPA, CIRPA and CRIA to discuss issues of mutual interest – and come to agreements on what we can accomplish together. We have planned meetings with SOCAN in the near future, and have had several discussions with the SAC concerning potential copyright payments at the ISP level, and other potential global methods of compensating creators for their works.
As our major funding agency, FACTOR continues to be a strong partner in achieving our goals. With increasing funds for the next few years, based on the CHUM and Standard transactions, there should be opportunities for “fundable” programs in which CIRPA members can participate.
